Showing posts with label India. Show all posts
Showing posts with label India. Show all posts

Witness of Time



This was clicked @ Dhanushkodi a ghost village, which was wiped out in 1964. Thousands of people died because of natural calamity. But still these walls are standing there witnessed the past, witnessing the present cant say about future. by SandeepNagar Still Life via 500px http://ift.tt/1ov9N0M

Suraj Taal Ladakh



Suraj Tal or Suraj Tal Lake also called Surya taal, is a sacred body of water, literally means the Lake of the Sun God, and lies just below the Bara-lacha-la pass (4,890m) (8 km (5.0 mi) in length) in the Lahaul and Spiti valley of Himachal Pradesh state in India and is the third highest lake in India, and the 21st-highest in the world. by PuneetSingh Landscapes via 500px http://ift.tt/1ppi6WB

Framed



This picture was taken at Kanha National Park, MP, India. Kanha is popular for its landscape. I loved the trees formation which makes a frame within a frame. by parimalbansode Landscapes via 500px http://ift.tt/1CEY5kR

Suruvalley with rainbow around sun



View in Suru valley of Himalayas in India with ring in rainbow colours around the sun. by SaiAchanta Landscapes via 500px http://ift.tt/11MzGic

Tamhini Ghat



Tamhini - Western Ghats - Maharashtra, India Portfolio | Website | Facebook | Twitter by santanu_banik Landscapes via 500px http://ift.tt/1vf0Bhp

Tony Smith: Kolkata's Cult of Durga

Photo © Tony Smith-All Rights Reserved

Photo © Tony Smith-All Rights Reserved

Photo © Tony Smith-All Rights Reserved

One of the first thing you'll find out about Tony Smith is that he's Welsh, and if it happens that Wales' rugby team is playing in the 2011 Rugby World Cup as it did during the Kolkata's Cult of Durga Photo Expedition/Workshop, you'll be reminded of that fact a few more times.

His biography is certainly interesting, as he “ran away to sea” on a cargo ship to South America when he was 15 years old, then he eventually mellowed and pursued a career in hospitality management that took him to Rhodesia (Zimbabwe), Johannesburg, and London before settling down in Winchester (that's in England, not Wales).

Tony is an Associate member of the Royal Photographic Society, and he traveled to Nepal, Bhutan, India, France, China, Spain, Morocco the USA and Canada and the West Coast of Ireland. He has attended Hindu, Christian, Muslim, Buddhist and Gypsy events.

He worked quite hard during the Kolkata's Cult of Durga Photo Expedition/Workshop to produce an audio slideshow on the festival, with his own narration. It's compelling, not only for his still imagery, but for his narrative skills which are enhanced by his precise enunciation. I gather he's still working to further improve it but it hasn't been finalized yet.

In the meantime, I suggest you view his blog entry on his experiences at the Durga Puja during the workshop, which also has a number of his photographs of the festival.

Kolkata's Cult of Durga: Verdict & Epilogue

Photo © 2011 Tewfic El-Sawy-All Rights Reserved
I wanted to write this post earlier, but I needed intervening time to be more objective and allow my thoughts to settle. Few if any photo workshops leaders take the trouble of publicly posting their verdict on their workshops...but I've always done that, and will continue to do so.

"Few if any photo workshops leaders take the trouble of publicly posting their verdict on their workshops...but I've always done that, and will continue to do so."

Planning the Kolkata's Cult of Durga Photo Expedition/Workshop, I knew full well that setting a photographic trip and workshop in a congested urban center such as Kolkata would be fraught with difficulties, and I was right for two main reasons. The congestion, traffic and the crowds (especially during the Durga Puja week)  in that quintessential Indian megapolis certainly exceeded my expectations, and occasionally took me by surprise with its severity. The prevailing weather was also a factor that I had to consider when planning the duration of the photo shoots, especially when leading a group of people unaccustomed to such high degrees of humidity and heat. For the first time in all my photo expeditions, I recommended to the group that drinking fluids with electrolytes was a necessity and not an option. It's very rare for me to schedule an off day during my workshops/expeditions, and yet I did on this one. Shooting all day for almost a full week in such humid and hot circumstances made me rethink our pace, and I was glad to see that a day of respite was welcomed by the group.


Photo © 2011 Tewfic El-Sawy-All Rights Reserved
But let's start from the top. Despite my travel agent's assurances to the contrary, I was somewhat apprehensive about the Lytton Hotel where we stayed for the two weeks in Kolkata, having read some negative reviews on a travel forum. My reservations turned out to be unfounded. My experience (and largely, that of the remainder of the group) was satisfactory. Sure, there were some minor hiccups here and there, but the staff were generally professional (especially Beryl at the reception, and Nicholas in the restaurant) and helpful. The Lytton is on Sudder Street right in the heart of Kolkata, and we couldn't ask for a better location. Whenever we felt the absolute need for a luxurious and posh restaurant, we popped in the next door Oberoi Grand, where we grumbled about its prices.
"If I had the luxury of rescheduling the photo expedition/workshop, I would have started it two days earlier, and ended it three days earlier."
If I had the luxury of rescheduling the photo expedition/workshop, I would have started it two days earlier, and ended it three days earlier.  It would have given us more time at the outset of the Durga Puja week to document the potters in Kumartuli more thoroughly, while they finalized their effigy making. As it happened, we only had a day and a half to document both the potters at work as well as the transporting of the effigies to the pandals, which didn't didn't give us space to photograph that particular chapter of the festival at a more relaxed pace.

Photo © 2011 Tewfic El-Sawy-All Rights Reserved
Transportation was somewhat of a drag. Kolkata's traffic is notoriously bad, and while we had a van for a number of days during the festival itself, we relied on taxis for the rest of the time. Taxis were not difficult to find, but with no ac they were uncomfortable in Kolkata's heat. In retrospect, I should've jacked up the price of the workshop to cover the cost of the van, even if the seasonal price gouging seemed unreasonable in comparison.

That being said, I am gratified that my photo expedition/workshop was held during the appropriate week. I heard that another photographic workshop had mistimed the Durga Puja festivities by about a week, and its members arrived when it was winding down!

We had tremendous photo opportunities; some planned and many serendipitous. Being invited to a private home to witness and document the puja and rituals revolving around welcoming the effigy of Durga, and to another large home involving return of the effigy to the Ganges were serendipitous to a very large extent, and speak volumes to the hospitality of the Bengalis. On another occasion, leaving a cluster of Jain temples, I saw the perfect backdrop for a staged photo shoot, and quickly convinced a nearby rickshaw puller and a woman to spend half an hour as models.
"These slideshows were as good as those I see submitted by seasoned photojournalists!"
Along with Chhandak Pradhan, a freelance photojournalist in Kolkata who assisted us on the photo workshop,  contact was made with a Baul singer (a Bengali wandering minstrel) who treated us to a private demonstration of this ancient skill, and allowed us to record his musical prowess.

There were big time misses as well. Kolkata's Chinatown (at least where we went) wasn't worth the time, nor were the tanneries. Photographing in the Kali temple is prohibited, and the authorities kept a keen eye on us all through our brief visit. That again wasn't worth the trouble. However, the whole area around the Kali temple teems with photographic opportunities. Another area that I found fascinating in the Muslim area of Chitore...also teeming with tremendous photographic opportunities.

Photo © 2011 Tewfic El-Sawy-All Rights Reserved
I don't know any other photographic expedition/workshop whose members were such media stars. We were featured in The Hindustan Times, along with some of our quotes. I was also glad to be featured in The Indian Express where I explained the objectives of the workshop.

Finally, a photo expedition/workshop is as good as its participants. I was very pleased by the quality level of the final audio slideshows. I knew the participants were all accomplished photographers, but I underestimated their quickness in mastering the techniques of slideshow making and audio editing.  Consequently, when I saw their multimedia work in progress, I was extremely gratified. These slideshows were as good as those I see submitted by seasoned photojournalists who attend my class at the Foundry Photojournalism Workshop.

Zara Bowmar: Kolkata's Pandal Mania



Zara Bowmar is one of the participants in my Kolkata's Cult of Durga Photo Expedition/Workshop, and produced a remarkably compelling documentary of the Durga Puja festival.

A native of New Zealand now living in Sydney, Australia, she is the founder of ZeeGlobe, an independent travel site featuring stories and photography, which highlights adventures in new places and cultures in off the beaten track locations or old favorites in new ways.

As featured in her audio slideshow (converted to an mp4 movie) above, Zara was one of the first participant to complete her project in Kolkata. You can view it in black & white above or in vivid color here.

A talented photographer who quickly grasped the photojournalism style in shooting and editing, Zara also provided me with a number of black & white photographs of the Durga Puja festivities. These are as follows:

Photo © Zara Bowmar-All Rights Reserved

Photo © Zara Bowmar-All Rights Reserved

Photo © Zara Bowmar-All Rights Reserved

Carsten Bockermann: The Sunderbans

Photo © Carsten Bockermann-All Rights Reserved

Carsten Bockermann is a German photographer who specializes in photographing everyday life in different cultures around the world using a combination of direct reportage and visually interpretative style. He has photographed in West Bengal as well and, as I just returned from Kolkata, I thought I'd feature his work on the Sunderbans.

The Sunderbans is located at the southern tip of West Bengal, and is a stretch of impenetrable mangrove forest of great size and bio-diversity. A UNESCO World Heritage Site, the Sunderbans is a vast area covering 4264 square kilometers in India. The area is intersected by a complex network of tidal waterways, mudflats and small islands of salt-tolerant mangrove forests.

While I have already featured Carsten's photo essay on the Ambassador cars on this blog, you may want to revisit his photographs on his website. These are the type of cars that form Kolkata's yellow cabs fleet...literally thousands of them can be seen on its streets on any given day. Battered, painted over many times, and literally held together with strings, these taxis are key to Kolkata's commuters.

A word of caution to those who are 6 feet tall and above...do not sit in the front with the driver. 

Kolkata's Tramways

Photo © Tewfic El-Sawy-All Rights Reserved

For our final day on the my Kolkata's Cult of Durga Photo Expedition/Workshop, we rode one of the famed Kolkata's Trams as long as it took us. The ride wasn't too long by Kolkata's standards, and lasted 45 minutes one way. The return was more crowded, but the ride was comfortable and almost breezy! A far cry from the cramped and uncomfortable old Ambassador taxis we used most of the time during the workshop.

The Kolkata tram is the oldest operating electric tram in Asia, running since 1902. The cars we rode in were certainly old, battered and painted over many times....but they were functional, and its wooden seats relatively comfortable. Our route was on tram #5, running from Esplanade to Shyambazar, a total distance of just over 5 kilometers, and stopping at Bidhan Sarani, College Street, Nirmal Street and Lenin Sarani. The fare was about 5 rupees (or $0.10).

I took some risks by jumping off the first class compartment/car to the other car, and had to run to make it. As I'm writing this from my Kolkata hotel, I survived the experience.

In a few hours, I'll be flying to Delhi to attend the Delhi Photo Festival. Stay tuned!

Kolkata's Cult of Durga In The Hindustan Times!!



Our workshop is prime news in Kolkata this morning!!!

I was initially interviewed by the delightful Debarati Chakraborty of the Hindustan Times regarding the objectives of my Kolkata's Cult of Durga Photo Expedition/Workshop, and shared what were our intentions to document the festival of Durga. Debarati also interviewed the remainder of our group, and penned a wonderful article on the photo workshop, with many quotes from Kris, Zara, Tony and Ron. Sandy Chandler wasn't available for the interview, and that's the reason why only four participants are mentioned in the article instead of five.

The article can be read in full here.

A salient quote from the article:

"It's easier to get seduced by colours (in India). When you use black & white, you focus more on the expression, the story behind the images."

I have only managed to get 4 copies of the newspaper so far...some of which were through the kindness of the Lytton Hotel's reception manager....so they must be selling out at a brisk pace!!!

Kolkata's Cult of Durga: Rickshaw Bell


This may only happen in India.

Walking in the center of Kolkata, I photographed a number of rickshaw pullers for a planned multimedia project, and having seen that Tony Smith, one of the participants in the Kolkata's Cult of Durga workshop, had acquired one a few days ago, I asked a few of them where I could buy one. Getting head wags, I gave up and resumed my shooting.

Three hours later, I get a call from the Lytton Hotel's reception advising me that a rickshaw puller was asking for me, and had a bell!!! How did he know where I was staying is beyond comprehension.

Kolkata's Cult of Durga: Lakshmi Puja

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic El-Sawy-All Rights Reserved

Having spent most of the morning (and part of the late afternoon) in the vicinity of the Kali Temple and Kalighat, we crossed over the main street and entered a small version of Kumartuli....the potters neighborhood which produces the gigantic effigies used for the Durga Puja.

Here, however, the area is much smaller and its artisans produce smaller figurines of Lakshmi, the goddess of wealth and prosperity, both in material and spiritual terms. The effigies are much smaller since Lakshmi Puja is traditionally celebrated within the confines of private homes. Lakshmi is depicted as a beautiful woman of golden complexion, with four hands, sitting or standing on a full-bloomed lotus and holding a lotus bud, which stands for beauty, purity and fertility.

Yes, it does seem we are getting a whole gamut of puja celebrations...from the gigantic public Durga puja to the private Lakshmi festivities.

In the meantime, we are taking the day off from photography, and are ensconced in our hotel rooms completing our individual Durga Puja multimedia projects.

Photo © Chhandak Pradhan-All Rights Reserved

Kolkata's Cult of Durga: The Puja Is Over...

Photo © Tewfic El-Sawy- All Rights Reserved

As per the planned schedule, the Kolkata's Cult of Durga Photo Expedition/Workshop completed the coverage of the Durga Puja yesterday night. Whilst there still are some immersions taking place in the Hooghly river at various ghats, the main immersion event was last night. The local media, in all its manifestations, was out in force and included a large number of accredited photojournalists, as well as amateur photographers wanting to document this important religious and social event.

With the completion of the Durga Puja, our group has started to edit the images made during the past week, shaping them into individual multimedia projects on the event as seen and recorded by each member. To make matters slightly more difficult, I requested that the still images be all in black & white. Perhaps counter-intuitive for such a colorful festival, but black & white forces the photographer to visualize the composition rather than being seduced by the colors.

We are in search of other projects in Kolkata; one of which will be to document the rickshaw pullers. Also in black & white, the group is photographing these hard working individuals as we move along the streets of Kolkata.

The Indian Express Features The Travel Photographer


Piyasree Dasgupta, Senior Correspondent at The Indian Express newspaper, interviewed me for an article she titled Visual Documents Of Culture which appeared today in its Kolkata edition.

The mutual introduction was initiated by Chhandak Pradhan who assisted me during the Kolkata's Cult of Durga Photo Expedition/Workshop, and is the second article feasturing the workshop and background information.

The "Gamsha"...Yet Another Scarf Fetish


Well, I'll be at the Delhi Photo Festival for most of the day, reviewing photographers' portfolios, and then presenting a seminar Introduction To Multimedia in the afternoon. I shall post something on the event as the day progresses.

However, I discovered yet another type of scarf that fits extraordinarily well in the panoply of photojournalists' scarf collections. It's the gamsha...a cotton scarf worn by many Bengalis, and especially useful for the rickshaw pullers of Kolkata who use it for virtually everything. They range from 35 to 60 rupees depending on quality, and haggling skills of the vendor.

The rickshaw pullers use it as a sarong when they shower, as umbrella when it rains, as face wipes when it's humid and they sweat, a fly swatter....almost exactly like photojournalists use their own scarves.

The one above at 35 rupees is the cheapest version, and is super absorbent.

Seriously, this is a must have for photographers who suffer of scarf-fetish.

Correction: Kaushik Saha, a Bengali photographer living in Delhi pointed out that the correct spelling for the scarf/towel is 'gamchcha. I don't know if the pronunciation differs from what I used, but the rickshaw puller I asked for directions as to where to buy them understood me perfectly.

 

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